3 things about Paul Weitz’s MOVING ON

Moving On [2022]

1. Lily Tomlin pretending to be a fish.
2. “I’m gonna go. But Walter, this was not a dream.”
“Well, I hope not. I want that bacon.”
3. A collection of love letters in a green shopping bag.

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3 things about Jacques Tati’s JOUR DE FETE

Jour de fête [1949]

1. The truck bed becomes a desk.
2. He pounds on the piano and it begins to play a polka.
3. Crossing gate hangup.

3 other things.

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3 things about David Swift’s GOOD NEIGHBOR SAM

Good Neighbor Sam [1964]

1. A vision of sheep in the elevator.
2. Posing with a pitcher of martinis, they jealously watch the other couple mambo from across the backyard.
3. Repainting every billboard in the dead of night.

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3 things about Phillip Noyce’s SLIVER

Sliver [1993]

1. She insists that she likes California red.
2. Pointless, unsexy panties moment.
3. After shotting up all his equipment: “Get a life!”

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3 things about Roger Avary’s THE RULES OF ATTRACTION

The Rules of Attraction [2002]

1. Jacking off to “Afternoon Delight.”
2. Bud Cort: “It’s toe-tag time in Teen Town, again.”
3. Splitscreen merge in the hallway.

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3 things about Alfred Hitchcock’s MARNIE

Marnie [1964]

1. Franks and coffee at Howard Johnson’s.
2. The way she says, “Possibly.”
3. Measuring out the corn syrup.

3 other things.

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3 things about Kelly Reichardt’s FIRST COW

First Cow [2019]

1. His fancy boots draw attention.
2. “I taste London in this cake.”
3. Leaving the baby on the bar.

3 other things.

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3 things about Frederick Wiseman’s AT BERKELEY

At Berkeley [2013]

1. One lawnmower for the entire campus.
2. Robert Reich explains why faculty meetings are so long: everyone is used to hearing themselves talk for extended periods of time.
3. A scattershot list of student demands, some of which contradict each other.

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3 things about Mark Jenkin’s ROSE OF NEVADA

Rose of Nevada [2025]

1. Instructions on gutting the fish. “Head to asshole. Head to asshole.”
2. A carved message.
3. Red flowers, green sea.

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3 things about Paul Bogart’s SKIN GAME

Skin Game [1971]

1. “You dare lay a hand on a servant of the Lord!” And then he belatedly notices the glass of whiskey in his hand.
2. He instantly shifts his elocution into slave talk.
3. Coming to the slave auction without a dime in his pockets.

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